Spring hasn't sprung yet in New York.
No shade to brilliant director James Whale, whose 1935 Universal sequel The Bride of Frankenstein is both exhilarating and cheekily queer. But — as Gyllenhaal has repeated frequently on The Bride!'s press tour — his titular monstress never speaks a word in her few short minutes of screen time. Still, as that original Bride, Elsa Lanchester made this she-beast an instantly compelling marvel who has become truly iconic, an intoxicating mix of high femme and the horrific.
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They were flamed to bits on Python-List, because nobody took them seriously.